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It’s always interesting to consider what might have happened in history if certain people hadn’t lived: science without Newton or Einstein, music without Beethoven or Bob Dylan – and fantasy without JRR Tolkien.
Of course, there was fantasy literature before Tolkien – Conan the Barbarian in America, Jules Verne in France, Homer in Greece, the whimsical English fairy tradition. But the whole “high medieval” fantasy of kings and queens, dark lords and dragons, armies of darkness and elves of light, all really stems from Tolkien. Like composers after Beethoven, every fantasy writer since Tolkien has had to either imitate or reject; he casts a very long shadow, even today.
My problem with a lot of this kind of fantasy is that I’m a democrat. I hate the idea of “rightful kings”, of an aristocracy; I want my fantasy world to have equality of the sexes, universal education and suffrage, proper dentistry (I can’t imagine Aragorn, even if he had the hands of a healer, popping round to perform a tricky tooth extraction after office hours). I want to see Aragorn and Sauron standing for election, maybe seeing off Saruman and Elrond in the primaries, facing Obama in a live televised debate.
Anyway, replace Aragorn with Prince Charles and you see the problem with hereditary monarchies at a stroke. Preferably of an axe. (What’s that you say? We get an extra day’s holiday for the Queen’s jubilee? Why no, madam, I was only kidding. Vive la Reine!)
Slightly slower gansey progress this week as I spent a couple of days in Edinburgh for work; and as you still can’t take knitting needles as carry-on I had to leave the poor thing behind, like an abandoned puppy, nose pressed against the window watching me leave, howling inconsolably (“Down, Red!”).
This meant flying from Wick airport, possibly the cutest airport in Britain. There’s something very pleasing about watching your bag being hauled out of the cargo hold, put on a truck, driven the ten metres to the terminal, and unloaded through a hatch directly into the waiting lounge for you to pick up, even if some of the mystique of air travel is lost in the process.
Here at last is the pattern chart – though it’s scarcely a surprise at this stage. The only change I made from the original pattern was to widen the step slightly, from 10 stitches to 12, and of course to increase the number of pattern repeats to fit my stitch gauge. I’m cabling every 6 rows which makes for a nice, tight cable. The wearer will be lucky if he can bend over once it’s on. Heaven help him if he sneezes.
The Humber Keel gansey finally made it to Des, the intended victim, in Edinburgh – here’s a picture to prove it. I thought he wouldn’t get a chance to wear it till the cold weather in autumn, but luckily we’re having a traditional Scottish spring.
Finally, another triumph for Lynne; here’s her Cape Cod gansey, based on the pattern from Alice Starmore’s book. Note the patterned gusset, a nice touch. Congratulations again!
So, spring has come to Caithness, bringing with it gale force winds, freezing temperatures, and snow flurries. We went for a walk up to Duncansby Head (near John o’ Groats) and the wind threw seagulls at us as if they were being fired from a cannon. The local lochs have whitecaps and, to celebrate the centenary of the Titanic, icebergs. (I don’t know if you’re familiar with the saying, Summer in Scotland is just winter with leaves?)
How was your Easter? Good, I hope, and filled with oodles of chocolate (or did the Easter Bunny die in vain?). We drove the 12-hour, 600-mile journey to visit my parents in Northampton, after which I was so tired you could have scraped me off the pavement with a shovel.
My parents live in this lovely old canalside former public house, where I grew up – in the words of Neil Young, all my changes were there. I used to spend hours walking along the towpath, enjoying the silence, staring into the slow-flowing water and seeing visions, as you do when you’re young. Well, we went for a walk along the canal towpath on Easter Sunday, and it was sad to see how crowded it’s become: narrow boats moored nose to tail, not for the night but permanent residences with satellite tv; suspicious men with dreadlocks and weathered faces, wearing army surplus fatigues, smoking rollups and brewing up over camp fires; and barking big black dogs with far too many teeth lurking round every corner.
 AND we repainted the lounge: Before
 After |
As Yeats says, tread softly because you tread on my dreams.
Ah well. Closing for a moment the albums marked “nostalgia” and “sentimentality”, it will not have escaped your notice from the photos that I have started the pattern – Filey V from Gladys Thompson (page 28 in my edition). I said before that because I’m using Wendy’s yarn, which is a little fluffier than Frangipani, I’m not entirely sure what my stitch gauge will be; so I wanted a pattern with lots of cables to draw it in a bit, just in case. And this one has cables the way Wick has seagulls.
I also wanted a pattern that would be easy to keep track of. I’ve struggled with some of my recent projects, which have been pretty intricate – always a high-risk strategy for someone with my attention sp… Oh look! A seagull!
Where was I? Oh, yes, the pattern. Although the really fancy patterns are wonderful, I’ve always had a soft spot for the simpler designs, which in their own way are just as effective. But since I started this blog I’ve felt a stupid sort of pressure to keep on with the complicated ones – as if the simpler patterns won’t be interesting enough for my discerning readership. (I told you it was stupid.) So anyway. Here’s a really simple pattern – just steps and cables, ad infinitum. A project I don’t have to think about, but can just relax to. My knitting equivalent of the slowly flowing muddy brown water of the canals of my youth…
In truth, I’ve always fancied this pattern. Its chunky texture reminds me of a Native American traditional breastplate, which I find really cool. And I’m delighted at how well the red yarn shows both the texture and the pattern. In fact, I think when it’s finished it’ll look like Space Marine body armour (bright red).
I’ve included my victim’s initials on this one, one either side of the seam. It’s always a bit of a gamble. If I’ve got the gauge wrong, or if he puts on weight, well, eBay here we come. I used the templates from Rae Compton’s Batsford book, page 60.
Finally, many congratulations to Barbara from British Columbia for finishing her splendid “Point Holmes” gansey, which she has kindly agreed to let us display in the gallery here. It just goes to show how effective combinations of gansey patterns can be – and it’s hard to beat a navy gansey on a sunny day!
How windy is it in Caithness just now? Take a small to medium sized family car – something like a Ford Ka, say, or a Renault Clio – position it on level ground, put it in neutral and take the handbrake off. Go round the back and give it a push. As it eases into motion, that’s about how hard it is to force your way against the wind right now. I’m actually getting tired muscles from walking into the wind. Everything is tilted to 45 degrees, people lean at crazy angles like Charlie Chaplin with his boots nailed to the floor. Even my coffee has whitecaps.
 Caithness: Don't bother combing your hair
Still, after the glimpse of summer we had last week, suddenly it no longer seems quite so counter-intuitive to be knitting ganseys. I’m past the ribbing, and have increased (from 388 to 432, an increase of 44 stitches or about 10%). The gansey at this stage resembles a muffin – or the sort of creature archaeologists have found fossils of in the Burgess Shale, and I imagine it roaming across the shallow bottom of prehistoric oceans, illuminated by shafts of sunlight, hunting for krill.
As I said last week, the gansey is going to be the same size as the previous Humber Star gansey, i.e., 46 inches in the round. But – I should have said this last time – I’m using Wendy yarn instead of Frangipani, for a change. (I expect it to take between 11 and 12 100 gram balls, but I got 13 just to be on the safe side; when I finally decide to call it a day, the last gansey I knit will be a multi-coloured, migraine-inducing spectacular, using up all the leftover yarn from previous projects.)
Now, Wendy is a slightly fluffier yarn than Frangipani, and my stitch gauge naturally tends to change when I knit with fluffier wool, with fewer stitches to the inch. So the risk is, by keeping to the same number of stitches, I end up with a gansey tent, not a jumper; but if I reduce them, I might make it too small, and end up with more of a corset.
So in the end I decided to stick with the same number as last time, but pick a pattern with lots of cables. The pattern will be “Filey V” from Gladys Thompson’s book – I’ll chart it out for next time, when I start the detail). It’s a simple pattern, but very effective, and the cables should draw it in a bit, while allowing room for expansion in the blocking stage if need be. It’s all a bit “rule of thumb” but it should work out OK.
It’s not getting any less red as it grows, I notice. Maybe I could start a new line in hand-knitted Chinese lanterns?
No blog next week, as we’ll be away over Easter visiting my parents in Northampton, a distance of some 598.1 miles. They don’t have an internet connection, so it’ll be a complete break from the stresses of the modern world (other stresses may, of course, be involved – not least the promise of snow this week, which should make life interesting).
Margaret and I would like to wish all our readers a very happy, wind-free Easter, and we’ll see you again on Monday 16th April.
So here we are, after a couple of weeks off, back to the fray: it’s time for a new project. You probably can’t tell from the photographs, but this one’s a bit, ah, vivid. You see, I decided to postpone my intricate Caithness-based cream gansey project to next winter, as I can see light-coloured yarn better than darker colours in the black winter evenings. Instead, I’m knitting a gansey for a friend who works in Edinburgh – he rashly requested one in “fireman red” – so that’s what he’s getting.
I’m more of a muted, natural colours sort of guy, myself (or as some would have it, bearing in mind that 80% of my wardrobe explores the rich, exotic palette of grey, “drab”); so all this comes as something of a shock. I keep looking down and thinking I’ve set myself on fire, or I’m haemorrhaging badly. Several tropical birds have smashed into the lounge window thinking they’ve spotted a mate.
 North shore towards Pulteneytown
After some of the more complicated patterns I’ve done recently I have the need to do something simpler (i.e., one I don’t have to think about too much). So I’m doing a Filey pattern from Gladys Thompson’s book, one I’ve always really liked. By a happy coincidence, my friend is the same size as my last victim (the pullover has a 46-inch chest), so once again I’ve cast on 388 stitches for the ribbing, and away we go.
In other news, you know that scene at the end of The Empire Strikes Back? The one where Luke’s got a new hand to replace the one Darth Vader sliced off – and a robot tests it by prodding it with a needle and all his fingers twitch? I’ve never been able to watch that without flinching, but last week I found myself in a very similar situation (the needle thing, not the father slicing off the hand thing, in case you were wondering).
I’ve got a long-standing problem with my forearms: I can’t lift heavy weights for long; I get shooting pains and my hands lose the ability to grip. I’ve been able to ignore it up till now because I haven’t had to carry stuff about much. But now I’m serving in the frontline infantry, 3rd Battalion, Queen’s Heavy Archives, it’s a bit inconvenient.
So we tripped the 100 miles down to Inverness last week so I could have electric pulses zapped into me. In short, they attach electrodes to your elbows and wrists, and slide wire loops over your thumbs and a couple of fingers; and then the doctor says, “Igor, the switch,” and throws his head back and cackles maniacally while you watch your hand flopping around on the table like a landed fish, totally out of your control. The pulses come as regularly as a disapproving knitting teacher clicking her tongue, and they’re happening inside your body, there’s nothing you can do, except watch your fingers twitch like a frog’s leg in science class.
 St Fergus' Church
Anyway, I learned two important things. Firstly, I don’t have carpal tunnel or a trapped nerve (but maybe tendonitis); and second, if I’m ever arrested by the secret police I should just sign anything they put in front of me because I have as much resistance as a meringue helmet.
By the way, I said last week that the Caithness dial was set to gloom. Well, that all changed last week – the whole of Britain’s been basking in glorious sunshine. God’s adjusted his set, and turned up the contrast: so the river and sea, which since we moved up here has been a steely grey-green, has suddenly turned deep blue. Coats and scarfs are discarded, and knees tentatively exposed (looking pale and unhealthy, like skin that’s been covered by a cast); the clouds have parted like a theatre curtain, to reveal a whole bigger sky behind the one we’re used to. I’m developing a squint.
And suddenly a fireman-red gansey doesn’t look so out of place after all…
Well, here we are, the Big Reveal of the finished Humber Keel gansey: washed and blocked, hopefully so that you can see the pattern in all its glory (and even modelled by a homeless derelict we found fighting seagulls for garbage down by the harbour, who was bribed with the promise of a rum-and-oven-cleaner cocktail).
To recap: the bottom ribbing consisted of 388 stitches, increased to 432 for the body. The finished gansey measures 23 inches wide by 26 inches long (though it could easily be stretched wider – and longer – if required). The armhole is a little over 8 inches deep (consisting of 79 stitches), and the sleeve, including rolled-back cuffs, almost 22 inches long.
It’s been fun, something I’ve never tried before. And have I been assiduously planning what to try next? Reader, I have not. Instead I’ve been enjoying a well-earned break, and actually doing some writing again: I’ve finally started a sequel to my Welsh winter fantasy novel, after all these years; my hope is to finish it by Christmas. And by next week I’ll be refreshed and ready to pick up a circular needle in anger again.
Speaking of writers, I’ve been reading up on my Wick history and discovered that Robert Louis Stevenson (Treasure Island, Dr Jekyll, etc.) came to Wick in the 1860s when his father’s engineering company were contracted to build a breakwater in the harbour. Alas, the breakwater was destroyed in a series of unusually severe storms and had to be abandoned in 1873, though part of it remains, jutting out like a natural rock outcrop from the entrance to the south harbour, just past the old lifeboat station down by the cliffs).
 South Head Quarry path
The event seems to have soured RLS’s attitude to the town, though he later apologised for and retracted some of his harsher observations. But in a letter home to his mother in 1868 he writes:
“Certainly Wick in itself possesses no beauty: bare, grey shores, grim grey houses, grim grey sea; not even the gleam of red tiles; not even the greenness of a tree. The southerly heights, when I came here, were black with people, fishers waiting on wind and night. Now all the S.Y.S. (Stornoway boats) have beaten out of the bay, and the Wick men stay indoors or wrangle on the quays with dissatisfied fish-curers, knee-high in brine, mud, and herring refuse…
“In Wick I have never heard any one greet his neighbour with the usual ‘Fine day’ or ‘Good morning.’ Both come shaking their heads, and both say, ‘Breezy, breezy!’ And such is the atrocious quality of the climate, that the remark is almost invariably justified by the fact.”
I think his first paragraph is a little harsh (even replacing the dissatisfied fish-curer with an archivist); but honesty compels me to admit the second is bang on the money even now, almost 150 years later… But I can’t complain; it’s perfect for wearing ganseys, after all.
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