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Wick (John More): Week 5 – 12 November

Come gather round, O best beloveds, for to hear the story of how the Norse gods of old stole the mead of poetry from the jötunn (or giant) Suttungr, and why there are so many bad poets in the world. Like so many Norse myths it’s a dark tale of deception, betrayal and murder; but unlike most of the other myths this one also involves bird poo. So let’s begin (and no, I’m not making this up, though you might wish I was by the time we reach the end).

Falmouth, MA Congregational Church

At the end of the war between the gods of Asgard (the Aesir) and the Vanir, the two sides made peace. This they sealed by each spitting into a vat (as you do). Out of all this spittle they created a man, whose name was Kvasir, who was full of wisdom. Kvasir roamed the world, dispensing wisdom and knowledge to all who asked. But one day Kvasir came to the hall of couple of very wicked dwarfs called Fjalar and Galar, who killed him and drained his blood into three great vessels. They mixed the blood with honey and brewed a magical mead, which turned anyone who drank it into a skald, or poet, and a scholar, but they kept it for themselves.

Cape Cod autumn colour

Fjalar and Galar (for whom now I think about it the word wicked seems insufficient, and perhaps serial killers would be more appropriate) next killed a jötunn called Gilling, and his wife. But Gilling’s son Suttungr came after them, and as compensation for the death of his parents took from the dwarfs the Óðrœrir, the mead of poetry. He also refused to share it with anyone, and hid it under a mountain where it was guarded by his daughter Gunnlod. Now, Odin, Allfather and ruler of the gods of Asgard, came to learn of all this. By various disguises he tricked his way into the mountain where he assumed a handsome shape and seduced Gunnlod, persuading her to let him sip of the mead so he could be inspired to sing her praises. But instead he drank it all and, transforming himself into an eagle, flew away. Suttungr heard Gunnlod’s lament and at once changed into another eagle and set off in hot pursuit. Odin barely reached the walls of Asgard ahead of Suttungr, and regurgitated the mead into vessels the other gods had prepared. Meanwhile the gods had built a great fire which they now caused to blaze up, and Suttungr, unable to stop in his flight, flew into the flames and was destroyed.

And that’s the tale of how the gods stole the mead of poetry—or almost. For Odin, as he was nearing the walls of Asgard and terrified at finding Suttungr so close on his tail, let squirt some drops of mead from his bottom, and these fell into Middle Earth, where we humans dwell. And that’s why, when you hear an exceptionally fine poet, you know that Odin has let him or her drink of the true mead of poetry; but if what you hear is doggerel, then the poet has only drunk of skáldfífla hlutr, or the “rhymester’s share”, which came from Odin’s behind…

Fireworks, Wick riverside

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TECHNICAL STUFF

I was away last week on a training course, so I wasn’t sure how much knitting I’d get done. But I’m delighted to say that I have indeed reached the pattern. I’ll say more about this next week, and hopefully post a chart; for now I’ve just established the foundations, and it’s not really enough to make out the pattern clearly yet. As is my usual custom these days, I started the gussets four rows early by increasing a second purl stitch onto the existing purl “fake seam” stitch that divides back and front. It’s not necessary, but I’ve found it looks neater and makes the first knit stitch increase to start the gusset slightly easier.

12 comments to Wick (John More): Week 5 – 12 November

  • Lois

    You just curdled my few drops of Viking blood. Methinks I’ll stick to my knitting and forego any poetry ambitions.

    • Gordon

      Hi Lois, if you want the true, inspired intensity of the poetry of the gods you’ll have to drink of Odin’s mead, I’m afraid; otherwise you’ll just be a “rhymester” (e.g., The Police’s execrable lines: “He starts to shake, he starts to cough/ Just like the old man in that famous book by Nabakov”)

  • Chingachgook

    Gordon, you may synopsize Snorri’s Prose for us any day!
    There are times that your concise-er version is welcome ;>

    • Gordon

      Hi C, I do love the Norse myths – dark, uncompromising and as batshit crazy as a very crazy bat who’s off his meds. And I love the gods for knowing that when they ride out to the last battle they are doomed, but they do it anyway, because it’s the right thing to do. On the other hand, you can see why a less pessimistic religion like Christianity proved more popular in the long run!

  • Dave

    And thus behold it turns at last,
    my poem came from…

  • =Tamar

    So it’s all Odin’s fault that any poetry exists, or only skaldic poetry, which logically would contain some bile? But I think there must be some investigation as to whether some drops came down as headstrikes or fell into water or landed on a stone in Ireland.

    • Gordon

      Hi Tamar, Odin is also the god of poetry, which is associated with the intense, almost trance-like state associated with the “berserkers” who’d whip themselves up into a frenzy before battle. The Norse name for the mead of poetry is “Óðrœrir”, or “Stirrer of Inspiration”, and it’s no coincidence that it shares the first two letters of Odin’s name!

  • Betsy Rogers

    I love the tip about adding the second purl row before the gusset – I have only knit one (child size) gansey but had a great deal of concern about how to split the one purl stitch and then get it back together each end of the gusset and I didn’t like how it looked. Thanks~

    • Gordon

      Hi Betsy, glad if it helps. I’m sure hundreds of other knitters do something similar, but I found it out for myself: it just makes that very first increase so much easier, allowing the first knit stitch of the gusset to lie snugly between two existing purl stitches.

  • Julie Michaux

    But those photos! Wonderful, Margaret.

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